Shāh-i
Mashhad’ is the name of twelfth-century archaeological remains located in the
Murghāb Valley of Bādghīs Province in north-western Afghanistan. This structure
was an educational centre - a madrasa and a mausoleum - and is one of the best
examples of architecture and structural decorative artwork of the Ghurid
period. The structure was first published in 1971, not by architects or archaeologists
but by two German ethnographers studying the region’s nomadic community.
Discussions on Shāh-i Mashhad in the context of Ghurid art have been published
previously; this author looks at Shah-I Mashhad in the context of the
conservation of monuments, despite the fact that due to its remote location,
Shāh-i Mashhad may not be subject to any conservation programme in the
immediate future. Reflecting on its architectural scale, style, construction
techniques, and details, in the context of potential work for the preservation
and conservation of what remains, this paper studies and presents a virtual
reconstruction of the building in an effort to understand the form, functions
of the spaces, and related architectural ornamentation of the original construction.
The reconstruction is based on the author’s visit to the site in 1993 and
transcriptions of inscriptions not previously read.
Shāh-i
Mashhad’ is the name of twelfth-century archaeological remains located in the
Murghāb Valley of Bādghīs Province in north-western Afghanistan. This structure
was an educational centre - a madrasa and a mausoleum - and is one of the best
examples of architecture and structural decorative artwork of the Ghurid
period. The structure was first published in 1971, not by architects or archaeologists
but by two German ethnographers studying the region’s nomadic community.
Discussions on Shāh-i Mashhad in the context of Ghurid art have been published
previously; this author looks at Shah-I Mashhad in the context of the
conservation of monuments, despite the fact that due to its remote location,
Shāh-i Mashhad may not be subject to any conservation programme in the
immediate future. Reflecting on its architectural scale, style, construction
techniques, and details, in the context of potential work for the preservation
and conservation of what remains, this paper studies and presents a virtual
reconstruction of the building in an effort to understand the form, functions
of the spaces, and related architectural ornamentation of the original construction.
The reconstruction is based on the author’s visit to the site in 1993 and
transcriptions of inscriptions not previously read.