Archnet > Publication > إسطنبول و المستشرقون

Semra Germaner - <div style="text-align: right;"><br></div><div style="text-align: right;">.ﯾﺘﻨﺎول ھﺬا اﻟﻜﺘﺎب اﻷوﺻﺎف و اﻟﺘﺼﻮرات ﻋﻦ ﻣﺪﯾﻨﺔ اﻟﻘﺴﻄﻨﻄﯿﻨﯿﺔ (إﺳﻄﻨﺒﻮل) ﻓﻲ اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ و اﻟﺤﯿﺎة «اﻟﺜﻘﺎﻓﯿﺔ و اﻟﻤﺆﺳﺴﺎﺗﯿﺔ و واﻗﻊ اﻟﺘﻤﺪن ﻓﯿﮭﺎ» ﺧﻼل ھﺬه اﻟﻔﺘﺮة. و ﯾﻌﺘﺒﺮ ھﺬا اﻟﺒﺤﺚ دراﺳﺔ ﺷﺎﻣﻠﺔ ﻋﻦ اﻻﻧﻄﺒﺎﻋﺎت اﻻﺳﺘﺸﺮاﻗﯿﺔ ﻋﻦ اﻟﺤﯿﺎة ﻓﻲ اﻟﻌﺎﺻﻤﺔ اﻟﻌﺜﻤﺎﻧﯿﺔ ﻣﺎ ﯾﺠﻌﻞ ﻣﻨﮫ ﻣﺼﺪرا أﺳﺎﺳﯿﺎ ﻓﻲ دراﺳﺔ ﻋﻼﻗﺔ اﻻﺳﺘﺸﺮاق ﺑﺈﺳﻄﻨﺒﻮل</div><div style="text-align: right;"><br></div><div style="text-align: right;"><br>ﺗﻘﺪم اﻟﻔﺼﻮل اﻟﺘﻤﮭﯿﺪﯾﺔ ﻟﻤﺤﺔ ﺟﯿﺪة ﻋﻦ ﺗﺎرﯾﺦ اﻟﺘﻮاﺻﻞ ﺑﯿﻦ اﻟﺸﺮق و اﻟﻐﺮب، و ﺗﻌﻄﻲ ﻓﻜﺮة ﻋﻦ اﻟﻮﺳﻂ اﻟﻔﻨﻲ ﻓﻲ إﺳﻄﻨﺒﻮل ﻓﻲ ﺗﻠﻚ اﻟﻔﺘﺮة. و ﯾﺆﻛﺪ اﻟﻜﺎﺗﺒﺎن أن «ﺳﺤﺮ إﺳﻄﻨﺒﻮل اﻟﻐﺮﯾﺐ و ﻏﻨﺎھﺎ اﻟﺘﺎرﯾﺨﻲ ھﻤﺎ اﻟﺴﺒﺒﺎن اﻟﺮﺋﯿﺴﯿﺎن اﻟﻠﺬان ﺟﺬﺑﺎ إﻟﯿﮭﺎ ﻋﺪدا ﻛﺒﯿﺮا ﻣﻦ اﻟﻔﻨﺎﻧﯿﻦ اﻟﻤﺴﺘﺸﺮﻗﯿﻦ. و ﻛﺬﻟﻚ ﻓﺈن وﺿﻊ اﻟﺒﻼط اﻟﻌﺜﻤﺎﻧﻲ اﻟﺬي ﻋﺰز إﺿﻔﺎء اﻟﻄﺎﺑﻊ اﻟﻐﺮﺑﻲ ﻋﻠﻰ اﻟﺪوﻟﺔ اﻟﻌﺜﻤﺎﻧﯿﺔ ﻛﺎن ﻋﺎﻣﻼ رﺋﯿﺴﯿﺎ آﺧﺮا ﻓﻲ ﺟﺎذﺑﯿﺘﮭﺎ</div><div style="text-align: right;">ﻟﻠﻔﻨﺎﻧﯿﻦ اﻟﻐﺮﺑﯿﯿﻦ»، و ﺗﺸﻜﻞ ھﺎﺗﺎن اﻟﻔﺮﺿﯿﺘﺎن ﻣﺤﻮر اﻟﻜﺘﺎب<br></div><div style="text-align: right;"><br></div><div style="text-align: right;"><br></div><div style="text-align: right;"><span lang="AR-SA" dir="RTL" style="font-size:11.0pt;
line-height:107%;font-family:"Arial",sans-serif;mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font:
minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">ﺴﻠﻂ
اﻟﻔﺼﻮل اﻷﺳﺎﺳﯿﺔ اﻟﻀﻮء ﻋﻠﻰ ﻣﻮاﺿﯿﻊ اﺳﺘﺸﺮاﻗﯿﺔ ﻣﻦ اﻟﺤﯿﺎة اﻟﯿﻮﻣﯿﺔ ﻛﺎﻟﺤﺮم، و اﻟﺤﻤﺎم، و
اﻟﻤﻘﺎھﻲ، و ﺳﻮق اﻟﻨﺨﺎﺳﺔ. و ﻗﺪ دُﻋِﻤﺖ اﻟﻠﻮﺣﺎت ﻓﻲ اﻟﻜﺘﺎب ﺑﺎﻗﺘﺒﺎﺳﺎت ﻣﻦ ﺻﺤﯿﻔﺔ</span><span dir="LTR"></span><span dir="LTR"></span><span lang="AR-SA" style="font-size:11.0pt;
line-height:107%;font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-theme-font:
minor-latin;mso-bidi-font-family:Arial;mso-bidi-theme-font:minor-bidi;
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA"><span dir="LTR"></span><span dir="LTR"></span> </span><span style="font-size:11.0pt;
line-height:107%;font-family:"Arial",sans-serif;mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA">«</span><span style="font-size:11.0pt;
line-height:107%;font-family:"Calibri",sans-serif;mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-theme-font:
minor-latin;mso-bidi-font-family:Arial;mso-bidi-theme-font:minor-bidi;
mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">L’Illustration</span><span style="font-size:11.0pt;line-height:107%;font-family:"Arial",sans-serif;
mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-ansi-language:
EN-US;mso-fareast-language:EN-US;mso-bidi-language:AR-SA">»</span><span style="font-size:11.0pt;line-height:107%;font-family:"Calibri",sans-serif;
mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Calibri;mso-fareast-theme-font:
minor-latin;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:Arial;
mso-bidi-theme-font:minor-bidi;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA"> </span><span lang="AR-SA" dir="RTL" style="font-size:11.0pt;line-height:107%;font-family:"Arial",sans-serif;
mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:
Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA">و ﻣﻦ ﻛﺘﺎﺑﺎت اﻟﺮﺣﺎﻟﺔ و ﻣﺬﻛﺮاﺗﮭﻢ. و ﻟﻢ ﯾﻜﺘﻒِ اﻟﻤﺆﻟﻔﺎن
ﺑﺎﻟﺤﺪﯾﺚ ﻋﻦ اﻟﻤﺼﺎدر اﻟﻐﺮﺑﯿﺔ و ﺣﺴﺐ، ﺑﻞ ﺗﻨﺎوﻻ أﯾﻀﺎ ﺑﻌﺾ ﻣﻤﺜﻠﻲ ھﺬه اﻟﺤﺮﻛﺔ ﻣﻦ اﻟﻌﺜﻤﺎﻧﯿﯿﻦ
ﻛﺎﻷﻣﯿﺮ ﻋﺒﺪ اﻟﻤﺠﯿﺪ )اﻟﺨﻠﯿﻔﺔ ﻻﺣﻘﺎ( و اﻟﻤﺴﺘﺸﺮق اﻟﻌﺜﻤﺎﻧﻲ ﻋﺜﻤﺎن ﺣﻤﺪي. و ﺑﺎﻋﺘﺒﺎر أن ﻓﻦ
اﻟﺘﺼﻮﯾﺮ ﻛﺎن ﺟﺰءا ﻣﻦ ﺻﻮرة إﺳﻄﻨﺒﻮل و أﻧﮫ دُﻋﻢ ﻣﻦ اﻟﺒﻼط اﻟﻌﺜﻤﺎﻧﻲ ﺧﻼل ﻓﺘﺮة ظﮭﻮره، ﻓﻘﺪ
أﻓﺮد ﻟﮫ اﻟﻤﺆﻟﻔﺎن ﻓﺼﻼ ﺧﺎﺻﺎ. ﻛﻤﺎ و ﻗﺪ أﻟﺤﻖ ﺑﺎﻟﻜﺘﺎب ﻗﺎﺋﻤﺔ ﺑﺄﺳﻤﺎء اﻟﻔﻨﺎﻧﯿﻦ اﻟﻐﺮﺑﯿﯿﻦ
اﻟﺬﯾﻦ زاروا إﺳﻄﻨﺒﻮل ﻣﻨﺬ ﻋﺎم ١٨٩١ﺣﺘﻰ ﻋﺎم ١٩١٦ و ﻋﺪدھﻢ أﻛﺜﺮ ﻣﻦ ١٦٠ رﺳﺎﻣﺎ ﻣﻦ ﺑﻠﺪان
ﻣﺨﺘﻠﻔﺔ ﺑﻤﺎ ﻓﯿﮭﺎ ﻓﺮﻧﺴﺎ و ﺑﺮﯾﻄﺎﻧﯿﺎ و أﻟﻤﺎﻧﯿﺎ و إﯾﻄﺎﻟﯿﺎ و اﻟﻨﻤﺴﺎ و اﻟﻮﻻﯾﺎت اﻟﻤﺘﺤﺪة </span></div><div style="text-align: right;"><span lang="AR-SA" dir="RTL" style="font-size:11.0pt;line-height:107%;font-family:"Arial",sans-serif;
mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:
Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA">و اﻟﺪﻧﻤﺎرك و ﺑﻠﺠﯿﻜﺎ و ﺳﻮﯾﺴﺮا و ﻣﺎﻟﻄﺔ و ﺑﻮﻟﻨﺪا و روﺳﯿﺎ و ھﻮﻟﻨﺪا و اﻟﻤﺠﺮ.</span><br></div><div style="text-align: right;"><span lang="AR-SA" dir="RTL" style="font-size:11.0pt;line-height:107%;font-family:"Arial",sans-serif;
mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:
Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA"><br></span></div><div style="text-align: right;"><span lang="AR-SA" dir="RTL" style="font-size:11.0pt;line-height:107%;font-family:"Arial",sans-serif;
mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:
Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA"><span lang="AR-SA" dir="RTL" style="font-size: 11pt; line-height: 107%;">و ﻗﺪ
رﺟﻊ اﻟﻤﺆﻟﻔﺎن ﻟﻌﺪد ﻛﺒﯿﺮ ﻣﻦ اﻟﻮﺛﺎﺋﻖ و أﻋﺪا ﻣﺠﻤﻮﻋﺔ ﺷﺎﻣﻠﺔ ﻣﻦ اﻟﺼﻮر و اﻟﺮﺳﻮم اﻟﺘﻮﺿﯿﺤﯿﺔ
ذات اﻟﺠﻮدة اﻟﻌﺎﻟﯿﺔ و اﻟﺘﻲ ﯾﻮﺟﺪ أﻏﻠﺒﮭﺎ اﻟﯿﻮم ﻓﻲ ﺗﺮﻛﯿﺎ. و ﺗﺸﯿﺮ اﻟﺪراﺳﺔ إﻟﻰ أن </span><span lang="AR-SA" dir="RTL" style="font-size: 11pt; line-height: 107%;">«</span><span lang="AR-SA" dir="RTL" style="font-size: 11pt; line-height: 107%;">إﺳﻄﻨﺒﻮل ﻛﺎﻧﺖ إﺣﺪى أﻛﺜﺮ اﻟﻤﺮاﻛﺰ ﻧﺸﺎطﺎ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻤﺴﺘﺸﺮﻗﻲ
اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ، و ﻗﺪ أﻧﺘﺠﻮا ﻓﯿﮭﺎ ﻋﺪدا ﻛﺒﯿﺮا ﻣﻦ ھﺬه اﻟﻠﻮﺣﺎت اﻻﺳﺘﺸﺮاﻗﯿﺔ</span><span lang="AR-SA" dir="RTL" style="font-size: 11pt; line-height: 107%;">».</span><br></span></div><div style="text-align: right;"><span lang="AR-SA" dir="RTL" style="font-size:11.0pt;line-height:107%;font-family:"Arial",sans-serif;
mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:
Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA"><span lang="AR-SA" dir="RTL" style="font-size: 11pt; line-height: 107%;"><br></span></span></div><div style="text-align: right;"><span lang="AR-SA" dir="RTL" style="font-size:11.0pt;line-height:107%;font-family:"Arial",sans-serif;
mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:
Calibri;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA"><span lang="AR-SA" dir="RTL" style="font-size: 11pt; line-height: 107%;"><p class="MsoNormal" align="right"><span style="font-size: 11pt;">نُشر اﻟﻜﺘﺎب ﺑﺎﻟﻠﻐﺘﯿﻦ اﻹﻧﻜﻠﯿﺰﯾﺔ و اﻟﺘﺮﻛﯿﺔ
ﻣﺎ ﯾﺸﻜﻞ ﻣﺴﺎھﻤﺔ ﻛﺒﯿﺮة ﻓﻲ ﻣﺠﺎل اﻟﻌﻼﻗﺔ ﺑﯿﻦ اﻻﺳﺘﺸﺮاق و إﺳﻄﻨﺒﻮل ﺧﻼل اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ.</span><br></p><p class="MsoNormal" align="right"><span style="font-size: 11pt;"><br></span></p><p class="MsoNormal" align="right"><span lang="AR-SA" dir="RTL">ﺳﯿﺰم ﺳﯿﺰار<o:p></o:p></span></p><p class="MsoNormal" align="right">

<span lang="AR-SA" dir="RTL" style="font-size: 11pt; line-height: 107%;">ﺗﺮﺟﻤﺔ
ﻋﺎدل ﻻﻏﺔ</span><span style="font-size: 11pt;"><br></span></p></span></span></div>

Type

abstract

Year

2014

.ﯾﺘﻨﺎول ھﺬا اﻟﻜﺘﺎب اﻷوﺻﺎف و اﻟﺘﺼﻮرات ﻋﻦ ﻣﺪﯾﻨﺔ اﻟﻘﺴﻄﻨﻄﯿﻨﯿﺔ (إﺳﻄﻨﺒﻮل) ﻓﻲ اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ و اﻟﺤﯿﺎة «اﻟﺜﻘﺎﻓﯿﺔ و اﻟﻤﺆﺳﺴﺎﺗﯿﺔ و واﻗﻊ اﻟﺘﻤﺪن ﻓﯿﮭﺎ» ﺧﻼل ھﺬه اﻟﻔﺘﺮة. و ﯾﻌﺘﺒﺮ ھﺬا اﻟﺒﺤﺚ دراﺳﺔ ﺷﺎﻣﻠﺔ ﻋﻦ اﻻﻧﻄﺒﺎﻋﺎت اﻻﺳﺘﺸﺮاﻗﯿﺔ ﻋﻦ اﻟﺤﯿﺎة ﻓﻲ اﻟﻌﺎﺻﻤﺔ اﻟﻌﺜﻤﺎﻧﯿﺔ ﻣﺎ ﯾﺠﻌﻞ ﻣﻨﮫ ﻣﺼﺪرا أﺳﺎﺳﯿﺎ ﻓﻲ دراﺳﺔ ﻋﻼﻗﺔ اﻻﺳﺘﺸﺮاق ﺑﺈﺳﻄﻨﺒﻮل

ﺗﻘﺪم اﻟﻔﺼﻮل اﻟﺘﻤﮭﯿﺪﯾﺔ ﻟﻤﺤﺔ ﺟﯿﺪة ﻋﻦ ﺗﺎرﯾﺦ اﻟﺘﻮاﺻﻞ ﺑﯿﻦ اﻟﺸﺮق و اﻟﻐﺮب، و ﺗﻌﻄﻲ ﻓﻜﺮة ﻋﻦ اﻟﻮﺳﻂ اﻟﻔﻨﻲ ﻓﻲ إﺳﻄﻨﺒﻮل ﻓﻲ ﺗﻠﻚ اﻟﻔﺘﺮة. و ﯾﺆﻛﺪ اﻟﻜﺎﺗﺒﺎن أن «ﺳﺤﺮ إﺳﻄﻨﺒﻮل اﻟﻐﺮﯾﺐ و ﻏﻨﺎھﺎ اﻟﺘﺎرﯾﺨﻲ ھﻤﺎ اﻟﺴﺒﺒﺎن اﻟﺮﺋﯿﺴﯿﺎن اﻟﻠﺬان ﺟﺬﺑﺎ إﻟﯿﮭﺎ ﻋﺪدا ﻛﺒﯿﺮا ﻣﻦ اﻟﻔﻨﺎﻧﯿﻦ اﻟﻤﺴﺘﺸﺮﻗﯿﻦ. و ﻛﺬﻟﻚ ﻓﺈن وﺿﻊ اﻟﺒﻼط اﻟﻌﺜﻤﺎﻧﻲ اﻟﺬي ﻋﺰز إﺿﻔﺎء اﻟﻄﺎﺑﻊ اﻟﻐﺮﺑﻲ ﻋﻠﻰ اﻟﺪوﻟﺔ اﻟﻌﺜﻤﺎﻧﯿﺔ ﻛﺎن ﻋﺎﻣﻼ رﺋﯿﺴﯿﺎ آﺧﺮا ﻓﻲ ﺟﺎذﺑﯿﺘﮭﺎ

ﻟﻠﻔﻨﺎﻧﯿﻦ اﻟﻐﺮﺑﯿﯿﻦ»، و ﺗﺸﻜﻞ ھﺎﺗﺎن اﻟﻔﺮﺿﯿﺘﺎن ﻣﺤﻮر اﻟﻜﺘﺎب

ﺴﻠﻂ اﻟﻔﺼﻮل اﻷﺳﺎﺳﯿﺔ اﻟﻀﻮء ﻋﻠﻰ ﻣﻮاﺿﯿﻊ اﺳﺘﺸﺮاﻗﯿﺔ ﻣﻦ اﻟﺤﯿﺎة اﻟﯿﻮﻣﯿﺔ ﻛﺎﻟﺤﺮم، و اﻟﺤﻤﺎم، و اﻟﻤﻘﺎھﻲ، و ﺳﻮق اﻟﻨﺨﺎﺳﺔ. و ﻗﺪ دُﻋِﻤﺖ اﻟﻠﻮﺣﺎت ﻓﻲ اﻟﻜﺘﺎب ﺑﺎﻗﺘﺒﺎﺳﺎت ﻣﻦ ﺻﺤﯿﻔﺔ «L’Illustration» و ﻣﻦ ﻛﺘﺎﺑﺎت اﻟﺮﺣﺎﻟﺔ و ﻣﺬﻛﺮاﺗﮭﻢ. و ﻟﻢ ﯾﻜﺘﻒِ اﻟﻤﺆﻟﻔﺎن ﺑﺎﻟﺤﺪﯾﺚ ﻋﻦ اﻟﻤﺼﺎدر اﻟﻐﺮﺑﯿﺔ و ﺣﺴﺐ، ﺑﻞ ﺗﻨﺎوﻻ أﯾﻀﺎ ﺑﻌﺾ ﻣﻤﺜﻠﻲ ھﺬه اﻟﺤﺮﻛﺔ ﻣﻦ اﻟﻌﺜﻤﺎﻧﯿﯿﻦ ﻛﺎﻷﻣﯿﺮ ﻋﺒﺪ اﻟﻤﺠﯿﺪ )اﻟﺨﻠﯿﻔﺔ ﻻﺣﻘﺎ( و اﻟﻤﺴﺘﺸﺮق اﻟﻌﺜﻤﺎﻧﻲ ﻋﺜﻤﺎن ﺣﻤﺪي. و ﺑﺎﻋﺘﺒﺎر أن ﻓﻦ اﻟﺘﺼﻮﯾﺮ ﻛﺎن ﺟﺰءا ﻣﻦ ﺻﻮرة إﺳﻄﻨﺒﻮل و أﻧﮫ دُﻋﻢ ﻣﻦ اﻟﺒﻼط اﻟﻌﺜﻤﺎﻧﻲ ﺧﻼل ﻓﺘﺮة ظﮭﻮره، ﻓﻘﺪ أﻓﺮد ﻟﮫ اﻟﻤﺆﻟﻔﺎن ﻓﺼﻼ ﺧﺎﺻﺎ. ﻛﻤﺎ و ﻗﺪ أﻟﺤﻖ ﺑﺎﻟﻜﺘﺎب ﻗﺎﺋﻤﺔ ﺑﺄﺳﻤﺎء اﻟﻔﻨﺎﻧﯿﻦ اﻟﻐﺮﺑﯿﯿﻦ اﻟﺬﯾﻦ زاروا إﺳﻄﻨﺒﻮل ﻣﻨﺬ ﻋﺎم ١٨٩١ﺣﺘﻰ ﻋﺎم ١٩١٦ و ﻋﺪدھﻢ أﻛﺜﺮ ﻣﻦ ١٦٠ رﺳﺎﻣﺎ ﻣﻦ ﺑﻠﺪان ﻣﺨﺘﻠﻔﺔ ﺑﻤﺎ ﻓﯿﮭﺎ ﻓﺮﻧﺴﺎ و ﺑﺮﯾﻄﺎﻧﯿﺎ و أﻟﻤﺎﻧﯿﺎ و إﯾﻄﺎﻟﯿﺎ و اﻟﻨﻤﺴﺎ و اﻟﻮﻻﯾﺎت اﻟﻤﺘﺤﺪة

و اﻟﺪﻧﻤﺎرك و ﺑﻠﺠﯿﻜﺎ و ﺳﻮﯾﺴﺮا و ﻣﺎﻟﻄﺔ و ﺑﻮﻟﻨﺪا و روﺳﯿﺎ و ھﻮﻟﻨﺪا و اﻟﻤﺠﺮ.

و ﻗﺪ رﺟﻊ اﻟﻤﺆﻟﻔﺎن ﻟﻌﺪد ﻛﺒﯿﺮ ﻣﻦ اﻟﻮﺛﺎﺋﻖ و أﻋﺪا ﻣﺠﻤﻮﻋﺔ ﺷﺎﻣﻠﺔ ﻣﻦ اﻟﺼﻮر و اﻟﺮﺳﻮم اﻟﺘﻮﺿﯿﺤﯿﺔ ذات اﻟﺠﻮدة اﻟﻌﺎﻟﯿﺔ و اﻟﺘﻲ ﯾﻮﺟﺪ أﻏﻠﺒﮭﺎ اﻟﯿﻮم ﻓﻲ ﺗﺮﻛﯿﺎ. و ﺗﺸﯿﺮ اﻟﺪراﺳﺔ إﻟﻰ أن «إﺳﻄﻨﺒﻮل ﻛﺎﻧﺖ إﺣﺪى أﻛﺜﺮ اﻟﻤﺮاﻛﺰ ﻧﺸﺎطﺎ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻤﺴﺘﺸﺮﻗﻲ اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ، و ﻗﺪ أﻧﺘﺠﻮا ﻓﯿﮭﺎ ﻋﺪدا ﻛﺒﯿﺮا ﻣﻦ ھﺬه اﻟﻠﻮﺣﺎت اﻻﺳﺘﺸﺮاﻗﯿﺔ».

نُشر اﻟﻜﺘﺎب ﺑﺎﻟﻠﻐﺘﯿﻦ اﻹﻧﻜﻠﯿﺰﯾﺔ و اﻟﺘﺮﻛﯿﺔ ﻣﺎ ﯾﺸﻜﻞ ﻣﺴﺎھﻤﺔ ﻛﺒﯿﺮة ﻓﻲ ﻣﺠﺎل اﻟﻌﻼﻗﺔ ﺑﯿﻦ اﻻﺳﺘﺸﺮاق و إﺳﻄﻨﺒﻮل ﺧﻼل اﻟﻘﺮن اﻟﺘﺎﺳﻊ ﻋﺸﺮ.

ﺳﯿﺰم ﺳﯿﺰار

ﺗﺮﺟﻤﺔ ﻋﺎدل ﻻﻏﺔ

Sezer, Sezim. “Arabic abstract of 'Istanbul and the Orientalists'". Translated by Adel Laga in Cities as Built and Lived Environments: Scholarship from Muslim Contexts, 1875 to 2011, by Aptin Khanbaghi. 427. Edinburgh: Edinburgh University Press, 2014.

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