Maria J. Metzler - <p><em>Muqarnas 35</em>&nbsp;begins in <a href="https://www.archnet.org/collections/2353" rel="noopener noreferrer" target="_blank">Almohad</a> <a href="https://www.archnet.org/authorities/3820" rel="noopener noreferrer" target="_blank">Marrakesh</a>, with one article analyzing the plan of the twelfth-century <a href="https://www.archnet.org/sites/1741" rel="noopener noreferrer" target="_blank">Kutubiyya Mosque</a> and another on the hydraulics, architecture, and agriculture of the <a href="https://www.archnet.org/sites/4742" rel="noopener noreferrer" target="_blank">Agdal</a>, a medieval Islamic estate that continues to be cultivated. The volume also contains an essay discussing the patronage and decoration of the <a href="https://www.archnet.org/sites/1563" rel="noopener noreferrer" target="_blank">Begumpuri Masjid</a> of Jahanpanah (<a href="https://www.archnet.org/authorities/3611" rel="noopener noreferrer" target="_blank">Delhi</a>), with an accompanying note tracing the history of glazed tiles. Several articles challenge long-held scholarly assumptions on topics such as <a href="https://www.archnet.org/collections/2349" rel="noopener noreferrer" target="_blank">Mughal</a> portraiture and the atypical square-tower minarets in Herzegovina. Other essays deal with questions of cultural identity, whether manifested in grand-scale architectural monuments or in personal belongings—for example, the family photo album with portraits of <a href="https://www.archnet.org/collections/2368" rel="noopener noreferrer" target="_blank">Ottoman</a> sultans compiled by a Hungarian woman who immigrated to <a href="https://www.archnet.org/authorities/3711" rel="noopener noreferrer" target="_blank">Istanbul</a> in the mid-nineteenth century; and an illustrated genealogy from seventeenth-century <a href="https://www.archnet.org/authorities/3469" rel="noopener noreferrer" target="_blank">Baghdad</a> that represents tensions between the Ottomans and <a href="https://www.archnet.org/collections/2370" rel="noopener noreferrer" target="_blank">Safavids</a>. Rounding out the volume is a history of modern art in Baghdad, focusing on the painter Jewad Selim and his encounter with Yahya al-Wasiti’s illustrations of the Maqāmāt al-Ḥarīrī.</p><p><br></p><p>The Notes and Sources section announces the discovery of two rare early <a href="https://www.archnet.org/collections/2352" rel="noopener noreferrer" target="_blank">Abbasid</a> painted ceramic bowls from recent excavations in central Israel. It also features a study of a nineteenth-century Persian manuscript on porcelain manufacture; as well as a heretofore-unknown manuscript of&nbsp;<em>The Arabian Antiquities of Spain</em>&nbsp;by the Irish architect James Cavanah Murphy, with many extra illustrations, original drawings, and proofs of plates. Volume 35 includes articles by Julio Navarro et al., Abbey Stockstill, Yves Porter and Richard Castinel, Laura E. Parodi, Melis Taner, Maximilian Hartmuth, Nebahat Avcıoğlu, Saleem al-Bahloly, Itamar Taxel et al., Mehran and Moujan Matin, and Lynda S. Mulvin.</p>
Muqarnas XXXV: An Annual on the Visual Cultures of the Islamic World
Type
journal
Year
2018

Muqarnas 35 begins in Almohad Marrakesh, with one article analyzing the plan of the twelfth-century Kutubiyya Mosque and another on the hydraulics, architecture, and agriculture of the Agdal, a medieval Islamic estate that continues to be cultivated. The volume also contains an essay discussing the patronage and decoration of the Begumpuri Masjid of Jahanpanah (Delhi), with an accompanying note tracing the history of glazed tiles. Several articles challenge long-held scholarly assumptions on topics such as Mughal portraiture and the atypical square-tower minarets in Herzegovina. Other essays deal with questions of cultural identity, whether manifested in grand-scale architectural monuments or in personal belongings—for example, the family photo album with portraits of Ottoman sultans compiled by a Hungarian woman who immigrated to Istanbul in the mid-nineteenth century; and an illustrated genealogy from seventeenth-century Baghdad that represents tensions between the Ottomans and Safavids. Rounding out the volume is a history of modern art in Baghdad, focusing on the painter Jewad Selim and his encounter with Yahya al-Wasiti’s illustrations of the Maqāmāt al-Ḥarīrī.


The Notes and Sources section announces the discovery of two rare early Abbasid painted ceramic bowls from recent excavations in central Israel. It also features a study of a nineteenth-century Persian manuscript on porcelain manufacture; as well as a heretofore-unknown manuscript of The Arabian Antiquities of Spain by the Irish architect James Cavanah Murphy, with many extra illustrations, original drawings, and proofs of plates. Volume 35 includes articles by Julio Navarro et al., Abbey Stockstill, Yves Porter and Richard Castinel, Laura E. Parodi, Melis Taner, Maximilian Hartmuth, Nebahat Avcıoğlu, Saleem al-Bahloly, Itamar Taxel et al., Mehran and Moujan Matin, and Lynda S. Mulvin.

Citation

Necipoğlu, Gülru and Maria J. Metzler, editors. Muqarnas XXXV An Annual on the Visual Cultures of the Islamic World. Leiden: Brill, 2018.

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Koninklijke Brill NV

Language
English