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Welcome to ARCHNET, an Open Access, intellectual resource focused on the built environment of Muslim societies.Our mission:&nbsp;<ul><li>Facilitate excellence in scholarship, and professional work by providing ready access to quality, unique texts, and media focused on architecture, urbanism, environmental and landscape design, conservation issues, visual and material cultures, and related topics, both historically and in terms of contemporary best practices.</li><li>Enable teaching and learning in these domains by providing educators with reliable, effective pedagogical material and teaching aids.&nbsp;</li><li>Serve serves as a platform through which scholars, practitioners, and institutions can bring their work to new global audiences.&nbsp;</li><li>Promote intercultural understanding and dialogue through reliable, high-quality, peer-reviewed material on the diversity of, and pluralism within Muslim societies and the interaction between Islamic and other religious, cultural, and philosophical traditions.</li><li>Enable easy access to a wide variety of resources via a custom-built, web-based, mobile-friendly platform optimized to minimize financial, infrastructural, linguistic, and other barriers to access.&nbsp;&nbsp;</li></ul>Launched in 2002 after several years of development, ARCHNET is a pioneering digital resource that has proven a reliable authority on the built environment of Muslim societies, past, and present.&nbsp;ARCHNET is a partnership between the <a href="https://www.archnet.org/collections/1342" rel="noopener noreferrer" target="_blank">Aga Khan Documentation Center, MIT Libraries </a>(AKDC@MIT) and the <a href="https://www.archnet.org/authorities/1903" rel="noopener noreferrer" target="_blank">Aga Khan Trust for Culture</a> (AKTC), with support from the Aga Khan Program for Islamic Architecture at Harvard and MIT. ARCHNET NEXT was developed by <a href="https://www.performantsoftware.com/" rel="noopener noreferrer" target="_blank">Performant Software Solutions</a>.

About

 Amber

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/882d43b9-c3e7-41f4-a110-e351c6af47b4/download

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/882d43b9-c3e7-41f4-a110-e351c6af47b4/iiif

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/882d43b9-c3e7-41f4-a110-e351c6af47b4/inline

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/882d43b9-c3e7-41f4-a110-e351c6af47b4/preview

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/882d43b9-c3e7-41f4-a110-e351c6af47b4/thumbnail

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/882d43b9-c3e7-41f4-a110-e351c6af47b4/content

digital photograph

IAA703773

fort

Construction began in 1600, and it served as the royal residence of the Kachwaha Rajputs until 1728. In 2013, it was designated a World Heritage Site. The palace's style borrows heavily from <a href="https://www.archnet.org/collections/2349" rel="noopener noreferrer" target="_blank">Mughal</a> architecture.

Begun

ferruginous sandstone

marble

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/9c66b8aa-6ddf-4afd-99b8-cd17dbb1b6ba/download

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/9c66b8aa-6ddf-4afd-99b8-cd17dbb1b6ba/iiif

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/9c66b8aa-6ddf-4afd-99b8-cd17dbb1b6ba/inline

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/9c66b8aa-6ddf-4afd-99b8-cd17dbb1b6ba/preview

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/9c66b8aa-6ddf-4afd-99b8-cd17dbb1b6ba/thumbnail

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/9c66b8aa-6ddf-4afd-99b8-cd17dbb1b6ba/content

IAA703774

Amber Fort

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/3d9d2a18-4c62-4488-ae6a-7233354b2a9f/download

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/3d9d2a18-4c62-4488-ae6a-7233354b2a9f/iiif

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/3d9d2a18-4c62-4488-ae6a-7233354b2a9f/inline

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/3d9d2a18-4c62-4488-ae6a-7233354b2a9f/preview

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/3d9d2a18-4c62-4488-ae6a-7233354b2a9f/thumbnail

https://archnet-3-prod-iiif-cloud-c0fe51f0b9ac.herokuapp.com/public/resources/3d9d2a18-4c62-4488-ae6a-7233354b2a9f/content

IAA703775

Amer Fort

Alternate

Amber Palace

एम्बर पैलेस

Original

<blockquote>Painting style of India associated with the Hindu Rajput princes, who came to power after the collapse of the Gupta empire. Their courts were often Hindu centers of learning and they were patrons of poets, scholars and artists. Rajput painting was a huge movement with markedly Indian characteristics, in a sense contrasting with the art of the Muslim Mughals who were their opponents. Nevertheless, as the Rajput rulers came to be obedient to the Mughal rulers in order to keep their territories, Mughal artistic developments affected traditional manuscript illumination of the Rajput courts in the late sixteenth and early seventeenth centuries. The Mughals were particularly important to the introduction and spread of portrait painting in Rajput artistic centers. In contrast to Mughal painting which was realistic, Rajput painting is, like the Hindi literature it is closely tied to, symbolic and suffused with poetic metaphor. Even the colors used often had specific meaning; the coloration is typically flat and unblended in a manner suggesting stained glass. The known examples from the late sixteenth to the nineteenth century fall into two main groups, Rajasthani and Pahari.</blockquote> Source: <a href="http://vocab.getty.edu/page/aat/300019020" rel="noopener noreferrer" target="_blank">Getty Art and Architecture Thesaurus</a>Library of Congress: sh 85111254